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To understand the Synth pane, consider the hierarchy behind Sampler and how the mapping sections and synth parameters control and interact with one another. We’re also building on some concepts – notably Zones and Groups – that we covered in that tutorial, so it might be worth revisiting it if you’re unsure about this part of Sampler’s functionality.

Rather than replacing Retro Synth, this workshop is designed to demonstrate the possible treatments from a range of sampled sources, ranging from acoustic string samples to the hardware synthesizers we sampled in our Auto Sampler tutorial.

READ MORE: Freeware Tutorial: Ambient pads with feedback using Sinnahįor the purposes of this workshop, we’re going to explore a number of classic synth sounds using Sampler.

As well as quick and easy modifications – such as adjusting volume envelopes and activating filters – the Synth pane significantly extends what you can achieve within Sampler, effectively turning it into a full-blown synthesizer that uses samples (rather than waveforms) as oscillators.

The mapping of samples is undoubtedly the backbone of Sampler’s operation but for those more interested in the creative potential of sampling, the Synth pane is worth much closer investigation. In our Auto Sampler tutorial, we took a detailed look at the process of mapping samples using Logic Pro’s updated Sampler plug-in.

Gear alignment synth logic pro x download